Zsigmond just as fascinating in front of camera

It wound up being just shy of a four-year wait to get to see the 2016 documentary Close Encounters with Vilmos Zsigmond. Basically, I had a movie poster for the Cannes selection long before I actually got to see it. But it was worth the wait. Filmmaker Pierre Filmon starts his narrative deferentially, consulting with his subject matter on the different options that could be used to film the interview. What's notable about Zsigmond's reaction is he's not looking to intimidate the director. Vilmos is a master craftsman and the raison d'ĂȘtre for everyone being there, but he offers opinions instead of setting parameters. Also, he doesn't mind sitting on a film canister if it makes for a better shot. So before the title sequence even rolls, we get a good idea of what Vilmos was like as a person and an artist, and thusly why so many in the business trusted him to get their jobs done. Said title sequence is stunning, culling Zsigmond's opening credit f...